“Bay of Fires, Tas”
90cm x 60cm
A blaze of orange lichen dances across smooth granite boulders, their curves catching the low morning light. The painting captures that unmistakable Bay of Fires glow—where the rocks seem to burn despite the cool, salt-heavy air. In the foreground, the sea is glassy, shifting between aquamarine and deep sapphire, with brushstrokes that suggest both calm and quiet movement.
The artist has painted the sky with a softness that hints at early dawn—pale blush blending into silvery blue, with just a trace of mist above the waterline. Sparse coastal vegetation clings to the rocks, windswept and hardy. There’s a deep sense of stillness in the piece, as if the viewer has stumbled upon a sacred moment of solitude.
Though entirely naturalistic, the painting hums with emotion—evoking the feeling of standing alone on that wild shore, heart thudding quietly, overwhelmed by beauty. It's not just a landscape—it’s a love letter to the northeast coast of Tasmania.
90cm x 60cm
A blaze of orange lichen dances across smooth granite boulders, their curves catching the low morning light. The painting captures that unmistakable Bay of Fires glow—where the rocks seem to burn despite the cool, salt-heavy air. In the foreground, the sea is glassy, shifting between aquamarine and deep sapphire, with brushstrokes that suggest both calm and quiet movement.
The artist has painted the sky with a softness that hints at early dawn—pale blush blending into silvery blue, with just a trace of mist above the waterline. Sparse coastal vegetation clings to the rocks, windswept and hardy. There’s a deep sense of stillness in the piece, as if the viewer has stumbled upon a sacred moment of solitude.
Though entirely naturalistic, the painting hums with emotion—evoking the feeling of standing alone on that wild shore, heart thudding quietly, overwhelmed by beauty. It's not just a landscape—it’s a love letter to the northeast coast of Tasmania.
90cm x 60cm
A blaze of orange lichen dances across smooth granite boulders, their curves catching the low morning light. The painting captures that unmistakable Bay of Fires glow—where the rocks seem to burn despite the cool, salt-heavy air. In the foreground, the sea is glassy, shifting between aquamarine and deep sapphire, with brushstrokes that suggest both calm and quiet movement.
The artist has painted the sky with a softness that hints at early dawn—pale blush blending into silvery blue, with just a trace of mist above the waterline. Sparse coastal vegetation clings to the rocks, windswept and hardy. There’s a deep sense of stillness in the piece, as if the viewer has stumbled upon a sacred moment of solitude.
Though entirely naturalistic, the painting hums with emotion—evoking the feeling of standing alone on that wild shore, heart thudding quietly, overwhelmed by beauty. It's not just a landscape—it’s a love letter to the northeast coast of Tasmania.